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«One of the main features of Chicago piecing is balance. When you look at a Chicago style you’ll notice there’s balance on the left on the right side of a piece. It’s just something that started in the 80s and you still see that influence today.»

Asend’s graffiti trajectory began in 1998. Known for his technical approach, Asend’s wildstyles exhibit well-balanced complexity and strong letter foundation. His versatility as a visual artist leads us on a journey from studio works in oil to large-scale murals – including the largest mural in the city of Chicago. With an illustrious career spanning over two decades, Asend continues to delve into multi-faceted projects that expand his reach within the inner-city community and walls throughout the globe.

“The main connection between graffiti and my mural work is the design. There’s other elements like detail and line work but whether you’re seeing a wild style or a mural you’re going to notice similarities in the way that I designed the work and just how I put everything together.”

MTN Limited Edition – 5oo units worldwide

SABER’s paintings borrow from elements, techniques and materials he once used as the 21-year-old rising to international fame in 1996 after painting the world’s largest graffiti piece on the bank of the Los Angeles River. Eight years after the fact, the Los Angeles County Museum of Natural History commissioned him to paint a miniature version of his piece on its riverbed diorama. The visibility of this 250-by-55-foot work (documented by satellites in space) and his years of press coverage for other creations shined a glaring public spotlight on the form. The artist’s studio work exemplifies his further exploration of movement and energy.